By watching Salman Khan Dabangg 3, it’s very clear that the law of the diminishing returns has caught up with this franchise. There is just not another polite way to say this – the new film is an excruciating, exhausting bore.
In 2010 under the direction and supervision of the Abhinav Kashyap, it seemed like Salman Khan had found his superhero alter ego. The Charming cop Mr Chulbul Pandey, with his cheeky one-liners, oddball quirks, and cartoonish but his very effective fight moves was the actor’s best realized character in years. Even the 2012’s decidedly mediocre sequel Dabangg 2, which is also directed by Arbaaz Khan, had stray moments of inspired lunacy that suggested some more promise. But this third installment, which is directed by Prabhudeva and scripted by Salman Khan himself, is irredeemable.
To apply the common superhero parlance, the new film tells the origin story of Chulbul Pandey. We learn what was his real name is, what led to him become the police officer, and where he swiped his signature line from – the one that goes: “Hum tum mein itne chhed karenge ki confuse ho jaoge ki saans kahan se le aur paadein kahan se.” We also learn more about a doomed romance of his with a young girl who is named Khushi (Saiee Manjrekar), before he met and married Rajjo (Sonakshi Sinha).
Now I don’t know about you but watching the 54-year-old Salman Khan romancing with the baby-faced 21-year-old newcomer on screen is exactly the reminder that we need about Bollywood’s double standards when it comes to the gender and age. It’s as if the filmmakers decided that Sonakshi Sinha at 32 is already too old to be the film’s sole leading lady, so let us bring in another one that’s even younger. Salman, meanwhile, thanks to some nifty computer effects, is made to look a tad younger himself in all these portions.
I’m only really bringing this up because it’s too much of an irony that the film positions its hero as a poster-child for gender equality and the women empowerment. Pandeyji is a model feminist who offers dowry instead of asking for it, who does not just recommend that women take their husbands’ surnames after marriage, and who actively encourages Khushi to pursue all and complete her education before they can marry.
Chulbul may have a progressive outlook when it comes to the women, but the same can’t be said just about the film’s unmistakably sexist gaze. It’s in the manner that Prabhudeva frames his women: the camera lingering a little too long on a heroine’s bosom, repeated shots of her bare midriff.
You only have to watch some of the earlier films Prabhudeva has directed to spot the pattern. There’s also the matter of the female characters reduced to simpering ‘becharis’. In one of the ugliest moments in the film, the villain decides he’s going to kill the girl he loves because it’s no point killing her lover; she’ll continue to pine for him after he’s dead and he still won’t have a shot with her. The women are that dispensable.
Even if you don’t have a problem with these things – and you should – Salman Khan Dabangg 3 is still a slog. The film feels like a string of unimaginative, repetitive action scenes strung together, pausing every few minutes for an underwhelming song. At 2 hours and 42 minutes, the relentless action gets tiring. How many punches and blows can you watch before your eyes begin to glaze over?
It must also be said that the camera moves rapidly in the action scenes, and the editing is breakneck so that it’s hard to tell who is doing what to whom. At other times there is an over-reliance on slow motion to highlight specific moves and stunts. The makers can try to hide it as much as they want but it’s clear for anyone who cares to notice that age is catching up with our leading man. No shame in that.
What’s genuinely disappointing is that the irreverence, the lightness of touch that was the hallmark of the first film can be spotted but only in flashes. Chulbul Pandey appears to have become a caricature of himself, and Salman Khan makes very little effort to pump fresh oxygen into the part. Sonakshi Sinha, Saiee Manjrekar, and Dimple Kapadia as the protagonist’s mother show up and go through the motions. The film’s villain, Kichha Sudeep, gets a few moments to make his presence felt. But it’s all in service of a story that’s so outdated you have to wonder how no one associated with the film called it out.
I’m going with one-and-a-half out of five for Dabangg 3. I left the cinema with a pounding headache and a moment of silence for a promising character that they all but buried. Chulbul Pandey, Rest in Peace.
Read More:Jamia Milia :Anurag Kashyap
Beyonce Sharma Jayegi: Looks Like Bollywood Can’t Get Over Its Old Habit Of Racism
Looks like several dislikes on the youtube video is the new generation’s way of protest. Recently, Sadak 2 hit the milestone of being the most disliked videos. The newly released song “ Beyonce Sharma Jayegi “ from the Bollywood movie Khaali peeli could be the next winner. Filmmaker of the movies recently launched the song starring Ananya Pandey and Ishaan Khattar. The song is getting special attention specifically one of the lyrics, “Tujhe dekh ke goriya, Beyonce bhi Sharma jayegi”, which translates to “with one look at you, oh fair lady. Even Beyonce will be embarrassed”.
Indians apologized to Beyoncé
This song has taken a Strom over internet by netizens giving all sorts of disagreements for the song. Trending on the internet is “we are sorry Beyonce”, people have said that what kind of embarrassment this song talks about? The second-hand embarrassment of Beyonce or the embarrassment of Indians that lead them to apologize to Beyonce.
Keeping aside the humour, the song has also raised questions over the racism in Bollywood which is clearly reflected in Bollywood movies and songs which was forever prevalent and continues to date. The idea of Bollywood selling the word”gori or goriya” is the clear remark of widespread racism and portrayal of fair as beautiful and being dark as “ugly” has long continued in Bollywood.The famous song from old times “hum kale hain to kya Hua, Dil wale hain” meaning, “it doesn’t matter if I am black, since I have a big heart” shows the prevalence of racism rooted way back and looks like the trend away from being over.
Netizens slammed Bollywood over racism
Netizens have described the song as extremely regressive and racist as it uses the colour to degrade a woman. The people are very upset with Bollywood for promoting the comparison based on colour. “How can they write lyrics like that using the fair as an adjective while comparing a black woman? Are we still having this discussion in 2020”? Some even jokingly said that Beyonce has a record of never losing any lawsuit and warned Zee Music Company, in case Beyonce decides to sue them.
Some even slammed Bollywood saying that supporting the movement of “black lives matter” and then releasing a song like this. People said that it is a serious issue and reflects the problem in India where “fair” is described as feminine beauty and a standard of beauty. People described Bollywood as one of the major reasons and promoters of this kind of behaviour.
In regard, to all these debates going on, Khali Pelli director Maqbool Khan said that the song is not racist. He said that he apologizes if anyone felt offended”. He said that the song doesn’t discriminate on skin colour. He said Goriya is a casual word often and traditionally used to address an Indian girl in movies and songs. Which is actually the problem people are talking about.
People are however not satisfied as the problem they highlighted has been stated as something normal by the makers of the film.
Bollywood, which has a very prominent impact on Indian people and many others around the world. Being such a big industry, Bollywood needs to be more careful and not normalize such issues. Racism is a big problem and offensive songs like these are alarming.
The Trailer Of Sadak 2 Became The Most Dislike Video On YouTube
The trailer of Sadak 2, comeback film of Mahesh Bhatt has become the most disliked video on YouTube with 5M Dislikes in 24 hours. The movie has set up this record after beating PewDiePie’s video. The trailer has released backlash of public not only on YouTube but also on other social media platforms such as Instagram, Facebook and Twitter due to the ongoing debate on Bollywood vs Nepotism. The trailer has become the 7th most disliked video o YouTube and the most disliked video in 24 hours.
Overview of Sadak 2
Sadak 2 is the sequel to Mahesh Bhatt’s movie Sadak which was released in 1991. Sadak featured Sanjay Dutt and Pooja Bhatt. Sadak 2 is Mahesh Bhatt’s comeback film which I a sequel to Sadak. It is starring Alia Bhatt, Aditya Roy Kapoor and Sanjay Dutt. The trailer of the movie was released on YouTube on 12 August while the movie will be released on 28 August on Disney + Hotstar.
Most Disliked Video
Sadak 2 is the 7th most disliked video on YouTube. It has also set the record of getting most dislikes in 24 hours on YouTube after beating PewDiePie. Within a day of the release, the trailer got 5.3 million dislikes. The video has 16 million views with only 294k likes. This result in a very significant like-dislike ratio that is, 94.75%. The trailer of Sadak 2 has the highest dislike percentage on YouTube. And this is quite clear looking at the like-dislike ratio of the trailer. Presently, the most disliked video on YouTube is YouTube’s own video that is, YouTube Rewind 2018: Everyone Controls Rewind. This video has 18.18 Million dislikes.
Reason for dislikes
The main reason behind such a high percentage of dislike on the trailer of Sadak 2 is that it has been due to the ongoing debate on Bollywood Vs Nepotism. After the demise of young and talented actor Sushant Singh Rajput, various theories regarding nepotism and favouritism in Bollywood were put forward. Due to this reason, netizens gave a social call to boycott nepotism in Bollywood and support actual talent. As the movie has been directed by Mahesh Bhatt starring his own daughter Alia Bhatt, netizens began to circulate messages on the social media platform to boycott the movie as a part of nepotism. The aggravation of netizens is clearly visible through the like-dislike ratio of the trailer.
The trailer of Sadak 2 has received a large number of dislikes within just one day of its release. But we can not ignore the fact the actors like Alia Bhatt and Aditya Roy Kapoor have given great performances in their previous movies. If the dislikes are based on the honest review of the public regarding the movie and acting of the actors, then it is totally fine but if it is based on emotions and sentiments then it might create major problems for certain big banners and some stars kids who are good actors in reality.
Timeless Bollywood Movies To Watch In The Quarantine
Every week, Bollywood movies are released. But only a few timeless Bollywood movies always remain close to the heart of the viewer. These movies are suitable to watch anytime. During quarantine, we all are bored of trying out ways to pass our time. What about appreciating some great movies of all the time? Here is a list of some timeless Bollywood movies which you can watch and reminisce older times.
Dil Chahta Hai (2001)
Dil Chahta Hai is a movie based on the bond of friendship that three friends share. All them have different personalities and different approaches towards life but they all are still connected due to their bond. The movie was released in 2001 but even today, it is one of the most liked movies by viewers. Dil Chahta has been directed by Farhan Akhtar. The cast of the movie includes Amir Khan, Akshay Khanna, Saif Ali Khanna, Pretty Zinta, Dimple Kapadia, Ayub Khan, Sonali Kulkarni, Rajat Kapoor, Ahmed Khan and Suhasini Mulay.
Released in 2004, Swades is one of the best movies produced in India. The movie is about an Americanized NRI who works as a scientist in NASA. He travels back to his country India and looks for his beloved nanny who raised him. In the later part of the movie, he advocates reforms for this village. The movie is directed by Ashutosh Gowariker. The cast of the movie includes Shah Rukh Khan, Gayatri Joshi, Kishori Balla, Rajesh Vivek, Farukh Jaffer, Smith Seth and Daya Shankar Pandey. Swades was one of the movies which is considered very much ahead of its time. It is one of the classics of Bollywood cinema which is a must-watch.
Zindagi Na Milegi Dobara (2011)
Zindagi Na Milegi Dobara is one of the best Bollywood movies ever released. A road trip, three childhood friends and life-lessons. The movie is about living your life, falling in love, celebrating friendship and combating your worst fears. The movie has been directed by Zoya Akhtar. The Cast of the movie includes Hritik Roshan. Abhay Deol, Farhan Akhtar, Katrina Kaif, Kalki Koechlin, Naseeruddin Shah and Ariadna Cabrol. Zindagi Na Milegi Dobara was appreciated a lot by the millennial generation. It is still one of the best movies and can be watched anytime.
Dil Dhadakne Do (2015)
At the end of the day, a family is what matters the most. Dil Dhadakne Do is a movie based on this notion only and introduces the Mehta family where every family member holds a troubled relationship with the other family members. However, no one wants to talk it out. Their life takes on a cruise which changed their lives forever and taught them valuable life lessons. The director of the movie is Zoya Akhtar and the main cast of the movie includes Priyanka Chopra, Farhan Akhtar, Anil Kapoor, Ranveer Singh, Anushka Sharma, Shefali Shah and Rahul Bose. DIl Dhadakne Do is all time one of the best comedy family drama movies ever.
Taare Zameen Par (2007)
Taare Zameen Par released in 2007 is the story of Ishan, a little boy who is sent to boarding school as he is not able to score good grades in the school. Ishan who suffers from dyslexia was constantly punished for not performing well. However, a new teacher Ram Shankar Nikumbh in the boarding school identifies his problem and help him discover his hidden talent. The movie when released addresses the issue of dyslexia and excessive pressure on students to perform well in academics. It left many parents in tears and is still regarded as one of the best movies ever. The movie was directed by Amir Khan and Amole Gupte. The Main Cast of the movie includes Darsheel Safary, Aamir Khan, Tisca Chopra, Tanay Chheda, Vipin Sarma, Sachet Engineer and Girija Oak.
Bollywood is a treasure full of a beautiful and timeless piece of arts. The need is to explore them out. The above-mentioned movies are based on different topics. Where Movies like Swades and Dil Chahta Hai were regarded as movies ahead of the time, Zindagi Na Milegi Dobara and Dil Dhadakne Do are perfect releases. But all of these movies are equally good and must watch.
Bollywood and its Debate on Nepotism
After the demise of 34-year-old actor Sushant Singh Rajput, Bollywood and Nepotism are the new hashtags trending on the social media. Everyone is trending #boycottnepotism on Twitter while star kids are being trolled but also being ranted upon. Recently, Sonakshi Sinha left Twitter while Alia Bhatt and Sonam Kapoor have either turned off the comment section of their Instagram posts or limited it. This sudden rage of the public seems as if the enlightenment about nepotism is new to them.
Nepotism is the practice among those with power or influence of favouring relatives or friends, especially by giving them jobs. This practice is not only found within the four walls of Bollywood. It can also be found in Business firms, Politics, Educational Institutes, etc. But Nepotism and Bollywood are recent talks of the town.
IS NEPOTISM GOOD OR BAD?
Majority of enraged Indians would directly conclude that Nepotism must be uprooted as it is a bad practice. But it is not true incomplete sense. Nepotism gives a direct way to children of some of the fine Bollywood actors into Bollywood without much struggle. This might be biased against some fine struggler actors but it is wrong to come up with a notion that all Star Kids are bad actors. Actors like Ranbir Kapoor, Hritik Roshan and Alia Bhatt have proved this fact true. Ranbir Kapoor has himself came up with acceptance that he is a product of Nepotism and this reminds him every time to act well.
On the other hand, Just like not every star kid is a bad actor, not all of them are good actors. Many actors and actresses have got their first break in the movies of Big Banners yet their acting skills couldn’t convince the public. Many of these star kids are launched again and again by Big Banner even after giving continuous flops. Such actors not only come up with a confidence of never running out of work but also take their work for granted. Even after so much struggle, people like Akshay Kumar are not able to get awards while Ananya Pandey got best Debut Female Award for a performance which was not even liked by the public.
WHO IS RESPONSIBLE FOR NEPOTISM?
In a single sentence, It is us. It is us who make a Star Kid a star and a talented struggler running out of the work. Whenever movies like Sonchiriya and Tumbadd are released, very few go to watch them while whenever movies like SOTY 2 are released we book tickets weeks before just to follow the trend. This is the reason why movies like SOTY 2 are successful to collect good amount on Box office while movies like Tumbadd are not even able to come in limelight.
The media is equally responsible for Nepotism. Whenever a star kid makes an entry in Bollywood, it is the media which promotes them the most. Not only the star kids stepping in Bollywood but also the star kids who have no achievement other than being a star kid. Little Taimur who is very young to even understand the meaning of Bollywood has more than 150 fan pages on social media. Suhana Khan, who hasn’t yet worked in any movie was on the cover page of Vogue Magazine. The reason was not only her being the daughter of Shah Rukh Khan but also the fame, which she received since she was a teenager.
WHAT IS THE SOLUTION?
Bollywood and Nepotism are not always synonymous and Nepotism can’t be always bad if the person who gets the opportunity is worthy of it. Indian audience should stop judging anyone on the basis of their background and start appreciating talent. We might not be able to convince God Fathers of Bollywood to stop launching flop actors again and again but we can surely watch more and more movies of raw talents like Vidyut Jamwal and Prachi Desai because they are talented. And in the end, boycotting and ranting over all-star kids is not a solution. We should support talent. So even if a star Kid is a very good actor, we should buy tickets from their movies as well.
Aarya: The miss universe delivers another charming performance in her style
Disney + Hotstar’s new release Aarya has had us captivated and we cannot stop talking about it. The story revolves around Aarya Sareen who takes it as her responsibility to find the man who shot her husband Tej Sareen and get the culprit to justice. While she begins this journey there are several secrets that are revealed on her way.
Aarya cast: Sushmita Sen, Chandrachur Singh, Vikas Kumar, Ankur Bhatia, Sikander Kher, Namit Das, Manish Chaudhary, Jayant Kriplani, Sohaila Kapur, Maya Sarao, Priyasha Bhardwaj, Sugandha Garg, Alexx O’Neil, Vishwajeet Pradhan, Jagdish Purohit, Flora Saini, Virti Vaghani, Viren Vazirani, Pratyaksh Panwar, Joy Sengupta
Aarya directors: Ram Madhvani, Sandeep Modi, Vinod Rawat
Aarya – A comprehensive review
Originally, this show on Disney+Hotstar has taken inspiration from the Dutch series Penoza that was released in 2010 and went on for 5 seasons. It portrayed the themes of loyalty, love, betrayal, and family. Well, Aarya too is about a powerful woman who looks out for her children and family more than anything.
Almost set in the same light as its origin, Aarya begins and ends with the main character Aarya (Sushmita Sen) hanging upside-down on TRX straps. The story in the between of this, reveals three business partners, a robbed drug consignment, a mysterious murder, and a woman pulling all straws to support her two families and eventually being torn between it.
While Aarya takes it on her to find the masked man who shot her husband, Te (jChandrachur Singh), the story takes its own twists and turns. This is a story about a cop who is behind some business secrets, a mafia who is behind the drugs and other business partners in the ring who have started to discover things and have their own deep secrets. Aarya’s task is no easy as her family is put on the doorstep of danger and threats, and the mother in her vouches to protect her blood no matter what.
Aarya is a tale of a mother and her children who pay the brunt of the mistakes and misdeeds committed by the husband. The series is centred around Aarya and her three children i.e. the two teenagers Veer (Viren Vazirani), Arundhati (Virti Vaghani), and the eight-year-old Adi (Pratyaksh Panwar). All these three youngsters are brutally shaken to the core of the death of their father, especially the youngest Adi who was a live witness to the trauma of his father getting shot. It is also a tale about the other two siblings who battle their journey of growing up and teenage issues amidst the danger that dawns upon their family.
Aarya is a strong powerful woman of principles. Her ardent love for her family is always shown wherein the brutal turn of events she emphasizes how the future of her children is more crucial than her gruesome past. She also believes that sometimes you have to make a choice between what is less of evil amongst the two situations.
The cast performance in this series is compelling and impressive. Chandrachur Singh as Tej does an incredible job. To add to the Rajasthani style, Jayant Kripalani as Aarya’s father Zorawar, with Sikandar Kher as his point man Daulat perfectly fulfils their roles. Jawahar, the coke-snorting maniac played by Namit Das, ACP Khan played by Vikas Kumar, Shekhawat, the Russian peddler-distributor played by Manish Choudhary, and Sampat played by Vishwajeet Pradhan, all deliver outstanding performances and do complete justice to the character.
Of course, apart from all these people, the main show stealer is none other than Sushmita Sen. Graceful, powerful and committed to her character like any of her past roles, Sushmita Sen is a true treat to watch. She reveals the powerful journey of a woman who breaks out of her comfort zone to assert her dominance and turns every stone to protect her family. She brings to you her classic screen presence and captivating dialogue delivery to keep you hooked.
The writers have managed to write an engaging piece, somewhere where the plot loses itself but finds a way to regain itself back in the pace.
Aarya: A concluding verdict
Aarya, this new venture on Disney + Hotstar is a recommended watch. It will captivate you with its thriller tales, and get you hooked with the impressive writing at different points. Of course, all in all, Sushmita Sen truly makes it what it is with her charm, poise, and elegance. It is a recommended watch on how love and loss intertwine each other in the course of time.